Seventeenth stage 2024:
Viboldone Abbey
Inflected word: Art of guarding
Lombardy was the protagonist of the seventeenth and eighteenth stops of In cammino, which took place on December 11th and 12th at the Abbey of Viboldone and the Abbey of Morimondo, respectively. The themes accompanying these final events of 2024, the second year of our journey, were: for Viboldone, The Art of Preservation; and for Morimondo, Biodiversity.
The silence that envelops the ancient village and the Abbey of Saints Peter and Paul in Viboldone, a district of San Giuliano Milanese, is the first environmental element that strikes the visitor as soon as they arrive, whether from the highway or the busy streets of the city. A silence that can be felt in the air and accompanies our breath. The second source of awe is the beauty and harmony of this complex, which has withstood the passage of time, unchanged. An island out of time, captivating the gaze and inviting contemplation.
Here, we are faced with one of the most significant medieval landmarks in Lombardy, both for its architectural layout, where the overall austerity merges with the delicate modulation of lines and colours revived in recent restorations, and for the 14th-century fresco cycle, which attests to its historical and artistic importance.
Built starting in 1176 by the Humiliati and passed on to the Olivetan order after the suppression of the Humiliati in 1571, today the Abbey of Viboldone is run by the Benedictines. As can be seen from the general design of the Abbey Church, the Humiliati, contemporaries of the Cistercians, shared many similarities with them in the way they built their settlements and cultivated their fields, using the system of springs and marshes. Not by chance, the village is nestled between the green areas of Milan’s South Park.
The frescoes inside the Church are attributed by art historians to Giusto de’ Menabuoi (Florence, ca. 1330 – Padua, ca. 1390) and his students, while next to the Abbey Church is the Prior’s House, which houses a series of splendid frescoes from the Leonardo da Vinci school. The Music Room, painted in the 1470s, is unique for its realistic and allegorical depiction of musical instruments popular at the time and is believed to have a signature by Leonardo da Vinci on one of its walls.
In the Conference Room on the ground floor of this building, after the guided tour of the Abbey Church, the seventeenth stop began on the morning of Wednesday, December 11th, with the debate “The Art of Preservation: Care and Protection of Historical and Artistic Heritage”, chaired by Livia Pomodoro – holder of the UNESCO Chair “Food Systems for Sustainable Development and Social Inclusion” at the State University of Milan – and coordinated by Claudio Serafini, Director of Organic Cities Network Europe. A class from the “Primo Levi” linguistic high school in San Giuliano Milanese, accompanied by Professor Vincenza Spatola, was also present.
The event was opened by the Reverend Mother Anna Maria Pettoni, Abbess of the Benedictine community of Viboldone, who recalled that “the first sisters arrived here in the 1940s and found these buildings in complete abandonment”. She then emphasized how “this Abbey of red stones”, a centre of spiritual life, is a precious treasure for humanity: “It is also a place that demands constant and careful maintenance… Many people arrive here by chance and are immediately struck by the silence surrounding the complex: a silence that is like prayer to us and continues in the liturgy of the hours and in the celebration of the Eucharist…”. Mother Pettoni also reminded everyone that in 2026 it will be 850 years since the foundation of the Domus of Viboldone by the Humiliati, a milestone not only for the Abbey but also for Lombard history and European culture in general.
In his institutional greeting, the Mayor of San Giuliano Milanese, Marco Segàla, called the Abbey “a place close to the heart, a symbol so important for San Giuliano that it has even been reproduced in the city’s coat of arms… Our primary task is, therefore, to preserve this cultural asset, for us and for future generations”.
Livia Pomodoro then took the floor: “We are particularly happy to be here in Viboldone – she declared – because today’s discussion on the art of preservation and the care of historical and artistic heritage is fundamental for us. As we travel across Europe on our secular and cultural pilgrimage in anticipation of the Jubilee, which will conclude next December, we have seen firsthand how essential the support we can provide is, not only for the recovery of historical testimonies and works of art that would otherwise be lost forever, but for the moral value they represent, a value that has been gifted to us by great artists. These goods are a shared heritage and have been carefully preserved by communities through active restoration and recovery work… Preservation is a duty for all communities that think about the past while looking to the future… It is necessary to make communities around the Abbeys, the places of art, the places of antiquity, and those that have been safeguards of the values that Europe so greatly needs, as Goethe argued, in order to find itself and rediscover its soul. This journey of ours could not omit Viboldone. I am therefore happy that you, young people, that you, the students, are here with us this morning…”.
The debate was coordinated by Claudio Serafini, who briefly reviewed the founding steps of Organic Cities Network Europe in January 2018 in Paris before focusing on the term chosen for this Abbey: “The art of preservation is a term strongly linked linguistically… I would first like to recall three significant dates: 1945, when UNESCO was established after the Second World War, in a climate where the main theme was peace, a topic that unfortunately remains painfully relevant today. The second is 1972, when the first global convention for the protection of cultural and natural heritage was signed in Paris. Finally, 2003, with the adoption of the convention for the safeguarding of intangible heritage. These are three important acts for the transmission of knowledge across generations… In Viboldone, there are two types of cultural heritage: the artistic and architectural heritage represented by the Abbey Church; and the ancient book, viewed through the lens of restoration. In our time, when we witness the dematerialization of books, there is a thriving trade and collection of ancient volumes. However, in Viboldone, the book has a very different meaning and value, as here the ancient volumes are preserved and restored, in direct contact with the Superintendency. And this will be discussed in the first speech by Mother Ignazia, an eminent figure in Italian monasticism who was the abbess of this convent for 23 years, until 2019”.
“I am very pleased to host this event – said Mother Ignazia Angelini. – Together with my sisters, I am very passionate about the idea that Viboldone, despite its marginality in relation to the great metropolis, the city of fashion, and the upcoming winter Olympics, is a place of preservation. And to be able to share this with you is a joy!… Drawing from the words of those who came before me, I would like to emphasize two aspects that distinctly characterize our convent: that of women and that of the preservation of values. We are a female community, and we live in this Abbey as the third settlement after a long period of abandonment and desolation. The first to settle here were the Humiliati, who were a mixed community of men and women, monks and nuns who worked and prayed together… Our community is exclusively female, and the theme of welcome, hospitality, and making this place hospitable is very dear to us. We know that ‘woman’ means home, means stable relationships: home as a place of hospitality for those cast out by society, for those men who find no refuge anywhere else… A hospitable place especially to suggest a value that has unfortunately been forgotten: silence, prayer, the listening to a voice that is both the oldest and the newest… The Humiliati were called ‘religio nova’ and the novelty they sought compared to the great monastic orders that preceded them was the possibility of establishing simple, real relationships, connected to the earth and the need to interact with it. It was a lively community. Today, we are a small community, and we have, so to speak, a jealous care for this treasure, a jealous care for the old, so that it may generate the new, generate a freedom and simplicity that is currently lacking, as we find ourselves in front of a complex society, full of questions and poor in answers that make sense… The second category is the relationship with the land: when we arrived in Viboldone, the first sisters were twenty-seven, and it was the end of the Second World War. Cardinal Schuster did not want us to stay, because the southern Milanese area was then an unhealthy, swampy, and humid region. In reality, we immediately had the passion to stay here with the workers, with the poorest, to share with them the hope for a new era after the world conflict. And this hope we also launch into today’s world, so darkened by wars… A relationship with the land, with reality, is what is missing today… The lands around us are in a state of abandonment and exploitation that saddens us. We should rediscover the beauty of Milano’s South Park, which was meant to preserve the last stretch of cultivated land before entering the city: today, this expectation has been largely disappointed. We pass on this desire for new things to you, young people, and the courage to denounce the sadness of old things… Our village is abandoned, and the historical buildings are in a desolate state: Viboldone has a living soul, but it must rise again!… There is also the dimension of prayer: here, even those who are not believers come to pray… It is our contribution to a different kind of femininity, thanks to a hospitality that does not falter and that foreshadows a new future, where beauty is light and a source of truth”.
Aldo Gasparini is the President of the “Amici di Viboldone” association.
“I first came to this Abbey in 1961, walking from Chiaravalle – he recalled – on the occasion of the Pentecost vigil with the then-Cardinal Montini, who would later become Pope Paul VI… The opposite of ‘preservation’ is when God calls Cain, and in relation to Abel, he answers, ‘Am I my brother’s keeper?’ You don’t preserve something that no longer matters to you… This small patch of land is, for us, the treasure of a body rediscovered… As the ‘Amici di Viboldone,’ since the 1980s, we’ve been trying to help with the theme of preservation, through three distinct but interconnected moments: preserving the monument, the memory, and the environment. We do this by promoting studies and conferences to fully capture the spirit of this place, which is and remains unique… In 1962, Riccardo Bacchelli published an article on Viboldone in the ‘Corriere della Sera,’ in which he wrote: ‘I don’t know if I’m doing well by talking about this place’, fearing not so much a possible ‘invasion’ of Sunday tourists, but rather not being able to communicate to others the silence that reigned there… And, regarding the marshlands that have characterized the agricultural economy of Lombardy and still do, Carlo Cattaneo remarked how, in these territories, culture had replaced nature, thanks to the monks”.
Giuseppina Suardi, the restorer who recovered the frescoes of the Abbey Church, explained the meaning of integrity, discernment, and philological rigor in the technical restoration process.
“The first methodological step is recognizing the work through careful aesthetic and historical analysis, all with an eye towards its transmission in the years to come…”.
Suardi then cited Cesare Brandi, the first director of the Central Institute for Restoration, who gave this discipline “scientific dignity in addition to artistic”. He was the one who developed that pioneering model of restoration, with the creation of a public research institution to unify national restoration methodologies for works of art and archaeological artifacts, thus overcoming the traditional concept of empirical restoration that had previously been carried out mostly by artists or amateurs.
“The integrity of the work is understood in many ways, and when we approach it, we must first identify which part is intact, which is the original portion, and whether it has been redone or not. And here another topic arises, which is that of truth and beauty, touched on in Mother Ignazia’s intervention, because the intact part of the work is also the true part and therefore ‘beautiful.’ An example of this focal point in our work, which is a bit difficult to express and make understandable in words, is found right here in the Church of Viboldone. It concerns a somewhat mysterious true story. It involves the fanlight on the right, depicting a Madonna and Child painted by Michelino da Besozzo: only a fragment of the Madonna’s head remains; the rest of her face, her figure, and that of the Child are completely missing. In the Chapel, there is a small picture with another fragment of the Madonna’s face and part of the Child. This second fragment was removed from the fanlight in the 1960s: when they detached the painting, art historians noticed that the Madonna’s face wasn’t authentic. It was a repainting, and they decided it couldn’t remain there because it ruined the work. This is a clear example you can examine in person, regarding the issue of ‘what is true and intact’, versus ‘what is false and ruins’, that is, the search for the authenticity of the work.”
Sister Maria Antonietta Giudici then spoke, supported by a series of compelling images, about the ancient book restoration laboratory of the Abbey of Viboldone, which she manages.
“Our laboratory has been operating for nearly fifty years on paper and parchment documents belonging to public institutions such as libraries and archives, both state, regional, and municipal, or ecclesiastical entities: diocesan archives, parishes, and seminaries. We also work for private individuals who entrust us with their library holdings to preserve them. The volumes we receive are typically not distinguished by particular beauty or artistic value but are delivered for more sentimental reasons. Our work focuses on the restoration and recovery of ancient documents: codices, manuscripts, incunabula, and printed volumes on paper or parchment, meaning scrolls, as well as drawings and prints. These are documents that have sustained various degrees of damage over time. The items in question are generally of historical value, as a testament to highly refined craftsmanship, if not at times true works of art. However, the core of our work is to save the book as a document, which holds interest more for the content it conveys than for its aesthetic binding. Despite this, throughout the history of books, invaluable works have also been created, such as the illuminated codices we have restored, which had exquisite bindings and extraordinary miniature ornaments”.
Sister Maria Antonietta showed images of some restoration interventions carried out by the laboratory, including the complete recovery of volumes whose covers or inner pages had been nearly destroyed by humidity and the passing of time. We also learned specific terms that describe the structure of books, such as capitello – headband, indorsatura – backing, unghiatura – top edge, nervatura – raised bands, piatto – front panel, and contropiatto – paste down.
In the afternoon, at 4:00 PM, the conversation continued on the theme of books and artworks during the meeting “Salvaging the Treasures of Knowledge and Art”, coordinated by Livia Pomodoro, who introduced the speakers: “I have always lived in the world of art, and I have always believed that there is a moment of salvation made available to us: this moment depends on the beauty we find in art and on our ability to see and appreciate it”.
The first speaker was Monsignor Marco Navoni, Prefect of the Ambrosiana Library: “I immediately accepted to participate in this debate when I read the title: ‘Salvaging the Treasures of Knowledge and Art’. The treasures of knowledge immediately evoke the idea of the library, while the treasures of art call to mind the museum, the art gallery. And clearly, as the representative of the Ambrosiana Library and Art Gallery, I find myself perfectly aligned with this dual realm where culture finds its highest expression. Studying and approaching the truth, I always like to use the image of the transcendental ideas from ancient Greek philosophy in the library, and approaching and permeating the beauty in the museum-gallery. All of this ties in with another aspect that made me accept the invitation right away: between the nuns of Viboldone and the Ambrosiana, there has been a nearly decade-long relationship, specifically regarding the preservation of heritage, in this case not so much the artistic heritage of the art gallery, but the cultural heritage of the library. The Benedictines of Viboldone have always been one of the preferred choices in the Ambrosiana when it comes to restoring the heritage we preserve. I would like to mention in particular two events, among the many manuscripts on which the Prefect pro tempore has written: ‘Restored in Viboldone in the year…’. There are many, but I’d like to recall two episodes that marked the history of the Ambrosiana and my personal history. Shortly after I arrived, around 1991, 1992, a singular event occurred: a series of incunabula, extremely rare printed books from the mid-1400s to the 1500s, were damaged by humidity. They were physically brought here and carefully ‘treated’ one by one. I remember personally coming to the laboratory where, with fans, a somewhat pioneering technique at the time, compared to the technology available today, these incunabula were aired and later returned in perfect condition for library visitors to enjoy. I’d also like to remember another special operation, the unbinding of the Atlantic Codex of Leonardo. You know that the Ambrosiana houses the largest collection of Leonardo’s writings in the world: 1,119 sheets, which, for various reasons and based on somewhat questionable criteria from the mid-1960s, were somehow bound into eleven volumes, causing significant issues for accessibility and study due to the mixing of sheets… So, in 2009, for the centenary of the Ambrosiana and in preparation for the 2019 centenary of Leonardo’s death, the great operation was ordered to unbind the sheets of the Atlantic Codex. This work was not done at the Abbey laboratory, but for security reasons, it was carried out locally at the Ambrosiana by the nuns of Viboldone, who were given permission to break their cloister for trips to Milan. The sheets were freed from their ‘cage’, and now, thanks to this delicate operation carried out by the hands of the Benedictines of Viboldone, they can be displayed on rotation and lent for exhibitions around the world, even in Japan, Australia, and the United States…”.
Next, the Emeritus Abbess Mother Ignazia Angelini explained the recovery of some Arabic codices in the Viboldone laboratory: a passionate work that led the Benedictines to not only learn about a different culture but also about books that differ from the Western tradition, both in terms of the paper used and their bindings. “Next year, we will begin restoration work on the papyri from the Egyptian monasteries… Praying is love for sacred texts, and has a spiritual dimension”, concluded Mother Ignazia.
Serafina Pignotti, a professor at the Brera Academy in Material Technologies for Restoration, brought greetings from the director Gaetano Fanelli and outlined the educational activities of the Brera School of Restoration: “I am here to briefly present a well-established reality in the area, thanks to the work done by Livia Pomodoro during her presidency at the Academy, along with Professor Franco Marrocco and Professor Luciano Formica, who were the foundation for the creation of this School. Its operational headquarters is in the former stables of Villa Borromeo d’Adda in Arcore, where the restoration and conservation laboratories are located. Arcore is not the only centre for these activities, as there are also external sites, such as the Monumental Cemetery of Milan and the Church of Sant’Ambrogio in Legnano, where the restoration of a cycle of frescoes is underway… Our reality, as I mentioned earlier, is deeply rooted in the area and goes beyond the Lombardy region… Among the active profiles at the School, one is dedicated to paintings on wooden and textile supports, as well as the entire field related to contemporary art, i.e., synthetic artifacts… We are particularly proud, Monsignor Navoni was with us, of the restoration by our students of the Apostles cycle painted in the 1600s by Giuseppe Vermiglio and preserved at the Museum of Sant’Eustorgio…”. Among the contemporary artists’ works restored, Serafina Pignotti mentioned Pino Pinelli and Emilio Isgrò. She also spoke about the paper and photographic sectors, the cleaning of plasters with lasers, and the large mosaic by Gino Severini in Gibellina.
The meeting concluded with an intervention by Salvatore Carrubba, who emphasized the importance of walking: “This initiative started by Livia Pomodoro is an invitation to practice walking, to share it, and especially to reflect during the journey. And since we are almost on the eve, as in less than two weeks the Jubilee, of which this initiative is a part of, will begin, I would like to recall what the spokesperson of St. Peter’s Basilica writes on this topic. The Basilica will, in fact, be the culminating centre of the pilgrimage that will lead millions of people to Rome. Father Enzo Fortunato, in his very recent book ‘Living the Jubilee’, writes that the journey “is the story of each individual intertwined with that of many others”. He adds, “The journey is memory, it is a school that shapes and teaches us, it is experience”. The concept of Homo viator (the traveling man) is also referenced by Monsignor Fisichella, the Pope’s delegate organizer for the Holy Year, who, in another recently published book, emphasizes how significant the experience of the journey is for shaping both the Christian identity and the human experience in general”.
Salvatore Carrubba also highlighted the importance of choosing Abbeys, where one can rediscover the strength of tradition, an irreplaceable element of our identity and civilization. In the time of the Abbey of Viboldone and its painted cycle, the medieval man would have seen no more than forty images throughout his entire life, whereas the modern person sees around 500,000 per day. Carrubba also recalled Pope Paul VI’s appreciation of contemporary art “for its formative and educational factor”, closing with a quote from Gustav Mahler: “Tradition is preserving the fire, not worshipping the ashes”.
The eighteenth stop was the Abbey of Morimondo, where on Thursday, December 12, the theme of the day was Biodiversity.
Surrounded by the green of the Ticino Park, just a few kilometres from Milan and bordering the Pavia region, the monastery was founded in 1134 by Cistercian monks from Morimond in France, one of the four original Cistercian Abbeys founded by Cȋteaux. After a long period of prosperous development, the complex was sold and divided into real estate units during the suppression of monastic orders in the Napoleonic era. At the end of 1982, it was purchased by the Municipality of Morimondo and transformed into a museum complex, while the Abbey Church remains an integral part of the Parish of Santa Maria Nascente.
The visitor is astounded by these magnificent buildings, which feature highly intricate and layered spaces, perched on a small hill by the Bereguardo Canal. These are ancient remnants of a time when the Abbey’s holdings included over 3,000 hectares of cultivated fields and forests, with dependencies, warehouses, and mills scattered along the streams. Today, only a residual testimony of this wealth remains in the architectural decorations, the design, and the size of the buildings.
After the guided tour of the Abbey, the conference began at 11:00 AM in the Chapter Hall with the theme: “Biodiversity: Environmental and Social Value in the Lombard Agricultural Production Model” chaired by Livia Pomodoro and coordinated by Tonino Bettanini, Director of In cammino – Abbeys of Europe.
Tonino Bettanini introduced the discussion by explaining: “A group of Cistercian monks from the Abbey of Morimond, located in Haute-Marne, laid the first stones of this monastery in the 12th century, reclaiming the land around here and establishing a system of springs and marshes that allowed for optimal crop yields. Morimond in France was one of the first four Abbeys, along with La Ferté, Pontigny, and Clairvaux, founded by the mother house of Cȋteaux… The name Morimondo evokes ‘dying to the world’, meaning living as resurrected… A sign of the wealth of this Abbey, which in its time attracted many vocations, was its flourishing agricultural activity and the scriptorium, where the monks transcribed manuscripts and documents”.
Institutional greetings were given by the Mayor of Morimondo, Marco Andrea Iamoni, followed by greetings from Don Giancarlo Sala, the Parish Priest of Santa Maria Nascente, and Davide Carnevali, President of the Rotary Club Morimondo Abbazia.
The first intervention was by Claudio Serafini, who stated: “I would like to examine the word ‘biodiversity’ from three different perspectives. The first concerns its meaning; the second is about its connection with the community, understood as dialogue or the union of people around shared values; and the third aspect is what we can do to safeguard biodiversity. Regarding the first point, we can say that it represents the variety of life, of creation, where ‘variety’ is not just an arithmetic calculation… For the next point, the relationship between community and biodiversity, we can clearly understand that without it, there would be no resources available to sustain our lives. I remind you that about a third of the essential foods for humans depend on the action of pollinating insects… The same goes for medicines mostly derived from natural and plant-based products… So, what can be done to preserve biodiversity? In Europe, we must actively participate in the open dialogue between institutions, the agricultural world, and environmental associations. I remind you that the goal of the European Green Deal is to dedicate 25% of agricultural land to organic farming by 2030, while today we are at about 10%. And it’s clear that the reaction from traditional agricultural sectors has been very strong. But it is also true that this is the path to preserving biodiversity and ensuring a future for the planet”.
Next, Maurizio Rivolta, a Councilor for the Ticino Park and Vice President of the FAI (the National Trust for Italy), spoke: “Lately, there has been more talk about biodiversity, whereas it used to be a topic only addressed by professionals in the field. In fact, it is an important issue for daily life. The previous speaker mentioned the role of pollinating insects: it has been calculated that if they disappeared, the GDP would decrease drastically. There is also the aspect of quality of life: think about the invasive exotic species that are spreading in our territory, from tiger mosquitoes to stink bugs… This is an issue that should not be left to environmentalists but concerns all of us every day… The Ticino Park, with its over 90,000 hectares, was the first regional park in Italy to be established and the first European river park. Created in 1974 to protect the Ticino River and the rich biodiversity of its territory, it stretches from Lake Maggiore to the confluence of the Po River, encompassing habitats that range from alpine landscapes to the plains, with spring fields in between. It is an area of great natural value and dense human habitation… Within it, there are 14 Special Areas of Conservation, a European Site of Importance, and a Special Protection Area. One example is the Fagiana reserve, with twenty-two different types of butterflies… The Park is also located along the migratory routes of birds traveling annually from North Africa to Europe and vice versa… Regarding organic and intensive farming, the latter involves large monoculture fields that impoverish biodiversity and are harmful to its health, while the former implements varied farming with multiple production types, guaranteeing less quantity but higher quality products. Therefore, the costs of intensive agriculture ultimately fall on the entire community… The wolf has also reappeared in the Park, which plays a natural regulatory role among the species of the area…”.
The topic of biodiversity, agriculture, and landscape was addressed by Maddalena Gioia Gibelli, President of the House of Agriculture.
“How has the Lombard agricultural landscape changed over the years? In the 20th century, we had 6,000 different agricultural species; today, we have only 60 plants. In the past century, people mostly ate seasonal vegetables, but today the diet is rich in animal products, fats, sugars, and salts. The agriculture of the future will mostly be cultural… The Po Valley, until the year 1000, was full of monks and, thanks to springs and marshes, abundant in water. Morimondo was founded after 1100 by Cistercians, and at that time, there was a strong connection between food and health, food and medicinal herbs. Hay represented the oil of that era and the subsequent ones when transport was ensured by horses, and oxen plowed the fields. Milan was a rich and powerful city precisely because of its abundant crops. In the 1400s, the Sforza family planted rice, which was a novelty and an evolution for Milanese agriculture, challenging the centuries and bringing significant socio-economic development… After the Second World War, a gap between humans and agriculture emerged… In Italy, the population density is 0.8 per square kilometre, with 196 inhabitants per square kilometre in 2020. We also have a remarkable variety of landscapes, from the highest peaks in Europe, like Mont Blanc, to the Po Valley. There are also 60,000 native species… Therefore, we must protect, support, and increase the relationship between food, culture, agriculture, and biodiversity”.
Patrizia Digiovinazzo, an ERSAF technician, explained the functions of the Regional Agency for Agriculture and Forestry Services. Essentially, ERSAF is the technical arm of the Lombardy Region responsible for carrying out activities to develop and innovate the agricultural, forestry, and rural land sectors.
For the agricultural sector, its functions include specialized training, assistance, the development of technological innovation, and enhancing the competitiveness of companies, as well as promoting Lombardy’s agricultural products, including organic farming. Regarding the forestry sector and rural land, its functions include managing and enhancing regional assets and supporting biodiversity.
Digiovinazzo particularly highlighted two ERSAF projects: one for biodiversity in Lombardy and the Life Gestire 2020 project. The first aims to implement investment interventions to safeguard biodiversity and improve ecological connections in green areas. The second, lasting eight years, involves 436 projects across 246 sites: 115 in the Alpine biogeographic region, 131 in the continental region. ERSAF is also involved in a project on “urban biodiversity” led by the University of Milano-Bicocca.
Paolo Mira, Director and Curator of the Morimondo Abbey Museum, concluded the debate by discussing the establishment of the museum complex.
The Abbey was built in Coronate, halfway between Milan and Pavia. It was the fourth Cistercian settlement founded in Italy, located on the major roadways of the time: a somewhat isolated place, yet accessible to the nearby commercial routes. “An isolated place, but not a desert”, remarked Professor Mira.
Today, the entire Abbey complex is a museum open to both free and guided tours. The Angelo Comolli Civic Museum, located on the first floor of the Town Hall, houses works by the Liberty-style painter and fresco artist Angelo Comolli (Milan, 1863 – Morimondo, 1949), one of the first to be actively involved in preserving this historical site.
At 3:30 PM, in the same Chapter Hall, the event “The Colours of Biodiversity” took place, coordinated by Tonino Bettanini, with contributions from Gloria Mari, President of the “Nocetum Social Cooperative”; Reverend Father Stefano Zanolini, Abbot of Chiaravalle; Don Virginio Colmegna, Honorary President of the Casa della Carità; and Annastella Gambini, Professor of Biology Education for primary and early childhood school teachers at the University of Milano-Bicocca.
The debate was presided over by Livia Pomodoro, who engaged with the speakers by posing some insightful questions.
She opened with the following remarks: “When we talk about biodiversity, we cannot forget humanity… Present with us are individuals who speak about humanity to humanity, and from man to man… We must pay attention and care for the environment, emphasizing its beauty: only then will we be worthy of the word ‘humanity’”.
Gloria Mari, shared her experience: “I’ve been part of the coordinating group of the Italian Episcopal Conference for the Custody of Creation since 2001. I’m also the president of Nocetum, a one-hectare piece of land in the Valle dei Monaci, near Chiaravalle Milanese, where we focus on the care of people. It was Pope Francis who reminded us that the cry of the suffering earth is the cry of the poor, and it will be the cry of all… The bees connect us to Chiaravalle: even Saint Bernard was called Doctor mellifluus. Our bees are raised by professional beekeepers and by people with vulnerabilities. And the swarms move, so I say they are the ones connecting us to Chiaravalle… Pope Francis warned us in the encyclical ‘Laudato si’’ about the loss of biodiversity, a theme echoed in his exhortation ‘Laudate Deum’. Beyond the spiritual sphere, there is also the UN program outlined in the 2030 Agenda for Sustainable Development… The apiary at Nocetum is celebrating its thirtieth anniversary and stands as a symbol of life… Finally, I would like to recall the speech that Archbishop Monsignor Delpini addressed to our city, Milan, on the occasion of the recent feast of Saint Ambrose”.
“The Cistercians have always worked with the land. – Opened Father Stefano Zanolini. – And in their work, they were, and still are, in direct contact with biodiversity. My predecessors entered the monastery in search of God: this did not mean being closed off to the laws inscribed in nature, which call for the stewardship of creation. They were immersed in a world of relationships, a world characterized by an immense variety of factors. They engaged in deforestation, reforestation, animal husbandry, water and fish reserves, and product processing. Beyond the fundamental search for God, there was the maintenance of the monastery and reaching out to others. This balance could be severely tested by negative elements. It was a balance built on reciprocal relationships, beneficial to all and enjoyed by everyone, a stable equilibrium regulated by the Rule of Saint Benedict. The interactions among brothers could foster positive or negative, balanced or unbalanced, relationships. The Benedictine Rule does not depict a perfect community, but a human one… Without relationships, one dies. To live is to connect with the surrounding world, to build an atmosphere of mutual trust. ‘Let the monks show each other honour and respect’, prescribes Saint Benedict. Relationships bring warmth and colour. The colour of a person is the colour of their relationships, of our relationships… Benedict, in his Rule, places the human being at the centre… Caring for humanity ensures that the journey continues”.
“I think of Casa della Carità – emphasized Don Colmegna – as a place that listens to the cry of the poor. In Abbeys, the guesthouse was synonymous with hospitality. Today, we need monasteries, guesthouses, silence around us. We need to see the colours of the rainbow again… I think of the cry of that eleven-year-old girl, alone on that boat crossing the Mediterranean. Why do we not hear her cry? Why are we indifferent, insensitive, and passive?…”.
“The colour of war-torn rubble is grey – said Livia Pomodoro, addressing Don Colmegna. – So I would like to ask you: what is the colour of the future that awaits us?”
“Colours inspire the desire for the future… The rainbow evokes wonder, but unfortunately, young people no longer feel wonder – there is no more amazement!”…
The event was concluded by Professor Annastella Gambini.
“Biodiversity is intrinsic to life and has developed alongside it. When we analyse the soil, which is like the skin, the membrane of our planet, we can find, in just one hundred grams of earth, approximately one hundred billion bacteria, five hundred different species of protozoa, and ten thousand nematodes. The soil must indeed be considered a living organism in itself… Why must biodiversity be safeguarded? Just consider that 40% of the medicines we take come from plants… Therefore, protecting all of the planet’s ecosystems and their natural variety means investing in the future of our health and, ultimately, in the future of humanity”.
After a video message from Maestro Fabio Vacchi, the concert “Archiworld: The World as a Great Orchestra” by the Archimia Quartet brought the event to a close on December 12. In the packed Chapter Hall of Morimondo, the notes of Dvořák resonated alongside pieces by Britney
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